If you are ordering more than 4 items international shipping, please contact me to get the correct postage amount. If you are having difficulties placing your order, please email us at firstname.lastname@example.org. Let us know if you would like to join our mailing list.
NEw Sahel SoundS
Sweet and sublime recordings from elementary school group in Northern Niger from the 1980s. All-girl group accompanied by their instructor on the guitar, recalling Guinean folk and early Ali Farka Touré. Folkloric songs, praising culture, tradition, and emphasising importance of education to nomadic world. A very important recording in the history of Nigerien music that would go on to form the base of the modern female music troupes. Originally released on cassette in 1985, re-stored and remastered for the first time outside of Niger. Accompanied with liner notes w/ song translations.
RECENT LITTLE AXE CASSETTES
BACK IN PRINT!
"Compilation of Aboriginal Australian country music. When we say country, it is a broader category than you might imagine. This LP contains all kinds of sounds. The cosmic organ driven dream song of Black Allan Barker, the drone-y intensely political Glararrwuy Yunupingu, the straight up rocking Warumpi Band, the ballad singing of Maisie Kelly, the down home pop of Bobby McLeod and much more. A diverse cross section of Aboriginal 'country'. All of this material has never been reissued on vinyl before. Political and powerful songs from communities throughout Australia. This is a truly unique LP. Comes with extensive liner notes and photos. A co-release with our friends Flipping Yeah Records."
Esther Suarez, also known as La Ocrasina De Oro, is a popular Peruvian Huayno singer. La Bolognesina is one of her earlier albums, featuring reverbed vocals over Andean harps supplemented with light percussion and handclaps. The album was recorded in 1981, with the title referring to her roots near the snow-capped Andean mountains of the Bolognesi province in the Ancash region of Peru. Peru experienced waves of mass rural-to-urban migration in the latter half of the twentieth century due to poverty and political instability, but with it also came an explosion in the popularity of the folkloric Huayno tradition. An urban and modernized studio version of ancient indigenous Quechua folk traditions, Huayno became the soundtrack to the migrant’s experience of both hardship and homesickness. Esther Suarez’s clear and yearning vocals soar over galloping huayno rhythms, evoking the highlands of her youth with heartbreak, regret and melancholy, while simultaneously looking to a place where there is always a will to live and an invitation to dance. Truly some of the most beautiful music ever.
Digital copies can be purchased here: